Archive for the ‘SLR Lenses’ Category:
Tamron develops the world’s first1 full-size, fast-aperture standard zoom with built-in image stabilisation – SP 24-70mm F/2.8 Di VC USD (Model A007) with class-leading resolution and Tamron’s proprietary Vibration Compensation.
Scout, the first Lensbaby lens that does not bend, features the Fisheye Optic, which delivers an ultra-wide 12mm focal length capable of capturing a 160 degree angle of view from infinity all the way down to 1/2 inch from the front of the lens. The Fisheye Optic can also create unique flare effects in an image.
“The Scout is for adventurous photographers wanting an easy to use fisheye lens combined with the creative freedom of the Lensbaby Optic Swap System,” said Craig Strong, Lensbaby president and co-founder. “We chose to combine the straight-shooting, non-bending Scout with our 12mm Fisheye Optic so that Lensbaby users could have a simple, affordable, and fun way to play with the Fisheye’s creative flare and eye-opening close focus.”
Due to the extremely wide angle of view of the Fisheye Optic, full frame shooters will generally see a black circle around almost the entire image, and APS-sized sensor shooters will see black at the corners of their images. With Scout, the Fisheye image is always ideally situated in the center of the frame.
Tamron’s newest and most powerful “All-in-One” lenses, the 18-270mm f/3.5-6.3 Di II VC PZD is the worlds lightest and most compact 15x optical zoom lens for dSLR cameras. Significantly smaller and lighter than their previous 18-270mm lens, it was designed specifically for use with ASP-C sized sensors and if used on a full-sized sensor, vignetting will be noticeable. Tamron has chosen this lens as one of its first to include the new Piezo Drive motor. This allows for faster and quieter autofocus, which is great for candid and nature photography.
This is a well built, light and very compact lens, making it easy to pack into a bag and a pleasure to use while out walking around. It has a 35mm equivalent of 28 – 419mm. Also included on the lens is Tamron’s VC (Vibration Compensation) to fight camera shake. It is available for both Canon and Nikon mounts but not Sony at this time. Along with this lens you will also get a flower-shaped lens hood and 6-Year Limited warranty.
The Pentax 55mm is a fast-aperture prime, designed to cover the moderate telephoto focal length range and deliver sharp, professional-level image quality in any type of lighting environment. On their official website, Pentax describes this lens as being ideal for “portrait, still life, low light photography, [and] weddings.”
Overall the DA* 55mm f/1.4 is yet another excellent Pentax prime in terms of image quality and takes contrast and sharpness to new extremes.
This lens produces sharp images with good edge-to-edge definition, smooth bokeh, and accurate color.
The new 55mm is an amazing lens with fabulous edge-to-edge sharpness, great bokeh, and exceptional build quality common to the best Pentax prime lenses.
Nikon today announces a completely new, fast-aperture Nikkor lens – the AF-S Nikkor 35mm f/1.4G. This is the third f/1.4 prime NIKKOR lens to be developed in the past six months further extending creative opportunities for professional photographers.
Zurab Kiknadze, Product Manager Lenses, Accessories & Software, Nikon Europe says: “The AF-S Nikkor 35mm f/1.4G sets a new benchmark for reportage and news photographers. It combines amazing contrast and resolution with brilliant low-light performance. Seen alongside the 24mm f/1.4 and 85mm f/1.4 lenses announced recently, this new lens underlines Nikon’s ongoing drive to deliver the ultimate range of optics for photographers.”
Award winning photojournalist Kadir van Lohuizen of photo agency NOOR was amongst the first to view the new AF-S Nikkor 35mm f/1.4G. He said: “The 35mm is the standard ‘street’ lens for many of us at NOOR and we are really excited about this new version, it’s amazing. This fast prime lens will make it possible to shoot at almost every light condition at the highest-quality possible.” He added: “It’s going to take our documentary projects to a new level for sure.”
The AF-S Nikkor 35mm f/1.4G has been developed to deliver stunning images in all situations. An entirely new optical design with ten elements in seven groups (including one aspherical glass element) and a rounded, nine-blade diaphragm enables the photographer to make full use of the shallow depth of field that f/1.4 aperture lenses offer. Crystal sharp detail with super smooth bokeh separation sets your subject in the spotlight and offers a different look from images taken with the professional f/2.8 zoom lenses.
The optical construction incorporates Nano Crystal Coat and minimises reflections and sagittal blur, which means this lens renders point light sources and shadows with natural clarity, ideal for night scenes and astrophotography. The fast aperture also provides a bright viewfinder and is great for exploring the creative potential that the shallow depth of field can bring to the work of fine-art photographers and photojournalists.
The AF-S Nikkor 35mm f/1.4G is built to work as hard as you do and is a robust and reliable performer wherever your photography might take you. The dedicated Silent Wave Motor (SWM) ensures discreet but accurate autofocus. It operates with smooth gearing and has a broad focus ring for fine manual focus accuracy down to the minimum focusing distance of 30cm. The tough magnesium construction features subtle grooves to assist a left-hand grip as well as rubber mount and switch sealing to deter dust and moisture. Weighing in at a solid 600g, it is designed to balance well with FX format DSLRs such as the D700 and D3 series.
The lens is supplied with a HB-59 hood, and a soft pouch.