Posts Tagged ‘nikon’
In the heart of all of the photography associated innovations, DIGITAL SLR cameras continue steadily to posses their particular allure. Yes, Nokia Lumia 1020 will snap really good pictures. And so can iPhone 5S as well as Galaxy S4. A number of compact digital cameras including the Sony RX 100 II are also thoroughly astonishing!
However there are certain things which DIGITAL SLR cameras fare much better. DIGITAL SLR cameras deliver the most effective way to compose a photo, and that is by way of a nice and bright viewfinder. They provide the flexibility of changing lenses and configurations to produce a individualized picture taking experience that’s well suited for the requirements of an individual photographer. And in the majority of situations, they provide awesome picture quality, even during low-light circumstances with little effort.
DIGITAL SLR cameras service the requirements of professionals and prosumers – the individuals who actually demand digital slr cameras which are not just simple-to-use for novice photographers but additionally have sophisticated controls and image quality options.
Nikon D5300 is a middle range DIGITAL SLR camera whose purpose is to satisfy the prosumers. Will it be successful? Why don’t we discover.
Compared with Nikon D5200
The Nikon D5300 is an progressive update. Among the list of big-ticket changes, two stand out above the crowd — Wi-Fi and GPS. As opposed to the D5200, this new Nikon DIGITAL SLR can connect with smartphones utilizing a Wi-Fi network, enabling owners to share photos on social networking sites right after they’ve been taken. The D5300 additionally features a built in GPS module, that can record the position information when you’re snapping photographs.
Whilst those two latest features are really easy to identify, the D5300 additionally has several other advancements over the D5200. The 24MP image sensor is similar to the one used in the D5200 however in the D5300 it doesn’t have a optical low-pass filter. In theory, this ought to permit it to shoot better resolution photographs. It additionally has an enhanced movie function, enhanced ISO sensitivity, upgraded battery pack efficiency, boasts a lighter weight as well as (marginally) smaller body, plus incorporates a screen that’s larger by 0.2 inches and also has greater resolution as compared to the one in the D5200.
However in the grand scheme of things, the alterations inside the D5300 are modest.
The design and style as well as components improvements in DIGITAL SLR cameras tend not to materialize frequently. The D5300 is not an exception. It features the typical design that Nikon has utilized with its entry level DIGITAL SLR cameras for the past few years. This particular design works well and Nikon’s all D3X00 and D5X00 series digital slr cameras are extremely easy to handle.
As opposed to higher end DIGITAL SLR cameras, the D5300 utilizes a synthetic body nevertheless, the build quality is great. It certainly feels more robust compared to similarly-priced Canon DSLRs. The camera grip boasts a layer of soft rubber with leather-like finish. This will assist a user to grasp the camera more securely while taking photographs.
The D5300 employs an identical button layout to the D5200. This is certainly fairly disappointing as there is a deficiency of dedicated buttons for advanced image capture options. Even though principal settings such as aperture or shutter speed is able to be operated by using hardware buttons without taking the eye away from the viewfinder, for more advanced options, owners will need to go in to the menu. This is certainly akin to just how Nikon’s entry level digital slr cameras function. However considering the price of D5300, we’d have actually appreciated seeing it employing a button layout akin to D7X00 digital slr cameras.
By default the D5300 is combined with an 18-55mm Nikkor VR lens. It’s additionally readily available as a body only, if you already have a collection of lenses, and is also available with an 18-140mm VR lens. We evaluated the D5300 with 18-140mm lens.
Similar to other D5X00 series digital slr cameras, the display screen on the D5300 is able to be rotated and swiveled. This will assist while you’re endeavoring to compose a picture in circumstances in which it is not necessarily feasible to make use of the viewfinder. For instance, in instances where you’re going to be holding the camera over your head, this display screen is extremely versatile.
More resolution than you need
It really is nearly impossible to select a Nikon or Canon DIGITAL SLR camera which doesn’t provide fantastic image quality. However even based on the high standards established by pre-existing middle range DIGITAL SLR cameras, D5300 records photographs which are exceptional in the majority of circumstances. This is because the lack of a low-pass filter creates photographs with a pop and cleanliness. Indeed, D5200 also records photographs at 24MP nevertheless, the photographs recorded using the D5300 appear a little crisper and cleaner. The absence of a low-pass filter does indeed offer slightly superior resolution to photographs recorded using the D5300.
Capturing photographs at 24MP with a DIGITAL SLR is a wonderful experience. The degree of detail that’s recorded is simply astonishing. This’ll help when you’re endeavoring to photograph wildlife. Even though you are unable to zoom very close to a bird, you are able to crop and obtain a superbly crisp photograph. The drawback is that often shots tend to be large in regards to size so if you’re working with a two gigabyte or perhaps 4 gigabyte memory card, it’s going to be filled very quickly.
The caliber of colours that the D5300 captures is extremely good. We discovered that the photographs recorded using the D5300 have punchy vibrant colours.
For the previous few years, Nikon’s midrange digital slr cameras have excelled at low-light photography due to the method that they manage dynamic range and ISO. On both matters, the D5300 is an excellent performer. Photographs using ISO as high as 3200 reveal hardly any noise. The camera furthermore captures the contrast between darker areas and well-lit areas inside a scene very well.
Our only issue with the D5300 with regards to image quality is the fact that it has a tendency to underexpose photographs. This certainly could be addressed using a photo editing applications, particularly if you are photographing in RAW. However mainstream photographers infrequently shoot photographs in RAW.
As for performance, the D5300 stands up very well. It focuses rapidly and also precisely. The D5300, much like the D5200, incorporates a 39-point focus system. Of those nine at the center are cross-type, meaning that they’re more sensitive which will let you focus quickly in lower light. Even though it is always preferable to have more cross-type focus points and broader coverage with focus-points, the 39-point setup within the D5300 is sufficient, rapid and also is very effective.
The dslr camera can capture movies in Full High Definition. The caliber of video clips is dependent a great deal on the lens that you have coupled to the dslr camera however in our tests using the 18-140mm lens we discovered that D5300 records video clips that’s a step upward for a DIGITAL SLR within its class. Essentially, it takes high quality movies with virtually no focus issues and if you utilize it to record a brief video clip of a birthday celebration, you’re not going to be disappointed.
As opposed to the typical 18-55mm lens that are typically shipped with these dslr cameras, we evaluated the D5300 using the Nikkor 18-140mm, that provides a broader reach to a user. Due to the fact that the D5300 is a DX format dslr camera, the effective range is 27-210mm. Consequently the majority of your daily photographing requirements are usually covered with this specific lens. The overall performance of the lens is extremely good however the D5300 is capable of more and once we matched the dslr camera with significantly better lenses, such as one of the 50mm prime lenses, we obtained much better results.
In the event that you currently have a Nikon DIGITAL SLR such as the D3000/D3100 or D40/D60/D90 and would like to update, the D7100 may be a better option for you. In reality, the D7100 is not much more than the D5300 despite being a more versatile camera with better build quality and better controls.
The D7100 also offers a focus motor – there’s not one in the D5300 – and therefore can function with all the old Nikon lenses that are lacking a focus motor.
If you’re looking to get involved with the digital photography scene, a dslr camera such as the D3200 along with a couple of additional lenses will cost not as much as the D5300 and provide you with a more flexible photography package.
As we stated previously, the D5300 is a superb dslr camera and if you purchase it, you simply won’t be disappointed. In addition it offers additional features such as built-in GPS and Wi-Fi, in the event that they’re essential for you. However it is not really value for money such as an entry level DIGITAL SLR such as the D3200. And is not really within the league of the D7100, which is actually a much better dslr camera for the advanced shooters.
Lowepro Versapack 200 AW Bag review – a flexible bag with a padded area for your photographic camera equipment with an unpadded area for snacks, or anything else you might carry along with you.
Typically the challenge with keeping your dslr camera equipment at hand all of the time is how you would carry all of those other bits and bobs necessary during the daily routine, such as for example audio players, snacks, writing instruments, notepads, etc. Most photographic camera bags are specialized for carrying your equipment about and conduct a fantastic job of that, however may not be so great at accommodating other things.
The half and half layout of the Lowepro Versapack 200 AW is not a totally new concept. Anyone who recalls the Lowepro Orion Trekker bags should be able to observe how the concept has continued to develop. Those bags too possessed a respectable sized padded section for dslr camera equipment in the base along with an unpadded ‘daytime pack’ area in the top for other items, and were tremendously popular.
The dslr camera inner compartment is able to hold a compact pro including the Nikon D300 or Canon EOS 7D without having a battery grip installed but which includes a conventional zoom lens attached, although without having a lens hood. The other storage compartments are great for as many as five small lenses such as for instance a 50mm, or even a telephoto such as a 70-300mm f/4-5.6. A flashgun may be replaced for one of the lenses as well. This is definitely abundant room for the casual snappers with light-weight equipment venturing out for a days photographing.
A tripod mounting setup enables a tripod to be secured vertically to the exterior of the backpack and is very effective with compact, portable tripods. With a bigger tripod, such as the Manfrotto 190XPROB, the bag may become awkward. It is a little more tricky to secure the tripod. The strap on the top is a touch loose for supporting that sort of load and the pocket at the base is just too small to perfectly fit the legs in. Cinch straps on the bottom of the bag allow for the horizontal attachment of a second tripod, or a rolled up jacket or towel.
The cushioned shoulder straps are comfortable, regardless of whether the backpack is completely packed and is going to be easy enough to carry around over a long day’s photographing. Accessibility of the camera inner compartment is furnished by a heavy duty zipper, that opens out so wide that the backpack divides in two. There are also 2 side access panels, allowing you to re-configure the inner camera compartment for instant access to your DSLR by swinging the bag around to the front. This particular layout doesn’t lend itself to instant access to bigger dslr cameras for example a Nikon D700, as the openings are a little too small ,however it is excellent for smaller enthusiast and beginner DSLRs. The sides can even be opened to swiftly grab a lens or flashgun from both sides if carrying your camera around your neck.
The Lowepro Versapack 200 AW has four Universal SlipLock™ attachments, 2 located on either side of the bag and 1 on each of the carrying straps. The Universal SlipLock™ attachments allow you to attach a number of additional Lowepro pouches and bags, such as the Lowepro S&F Bottle Pouch, Lowepro S&F Phone Case 20 or Lowepro Lens Case, allowing you to easily expand the carrying capacity of the backpack.
An AWC All Weather Cover is supplied which covers the outside of the rucksack. This particular cover is a breeze to fit and performs an excellent job of safeguarding the backpack in severe weather conditions, as well as dusty conditions.
Lowepro Versapack 200 AW: Verdict
This backpack is perfect for those looking to purchase a backpack which includes a excellent volume of space for a moderate collection of dslr camera equipment as well as camera lenses for day trips out, as well as other situations which you might require room for other non-photographic equipment, including snacks.
The tripod mounting system is really a awesome concept, yet it’s primarily actually appropriate for compact, portable tripods and also the weatherproof protection is a superb inclusion, particularly if you get trapped in a downpour.
Being very affordable, this backpack is extremely great value if this meets your requirements. The caliber of materials utilized is truly great and the padded straps ensure the backpack a delight to carry, even for very long periods.
Lowepro Versapack 200 AW: Pros
Lowepro Versapack 200 AW Half and half layout is wonderful for instances when non photographic equipment need to be transported
Lowepro Versapack 200 AW Comfy straps
Lowepro Versapack 200 AW weatherproof cover
Easy accessibility to compact items such as lenses from the sides
Lowepro Versapack 200 AW: Cons
Lowepro Versapack 200 AW fast side access restricted to smaller DSLR cameras
Lowepro Versapack 200 AW Tripod mounting method is a bit insecure for more substantial tripods
The specification list of the P7700 makes tempting reading. At its core is a 12-megapixel back-illuminated CMOS 1/1.7in sensor, connected to an EXPEED 2 processor, and looking at the world through a very fast f/2–f/4, 7.1x zoom lens equivalent to 28-200mm, with lens-shift image stabilisation. It has a big 3in (7.5cm) fully-articulated monitor, full HD video recording with stereo sound, and raw mode shooting. It also has a wide range of continuous shooting options, including full resolution at 8fps and 2-megapixel images at up to 120fps.
The Nikon Coolpix P7700 has an extremely solid metal body with a large rubber hand grip at the front. There is a small thumb grip at the back. The camera features a new swivelling and tilting screen with a high resolution of 921k dots. It also looks better than the previous model with a more modern look and styling, although some will find the removal of the optical viewfinder disappointing. On the side is a microphone socket, as well as a GPS socket that accepts the Nikon GP-1 adapter.
An exposure compensation dial is found on the top right, as well as a quick menu dial on the left. A front and rear command dial is used for setting aperture and shutter speed in manual mode or can be used in conjunction with the Fn1 and Fn2 buttons. There is a filter thread surrounding the lens, and the ring can be removed from the camera to add other adapters.
- 10.1 megapixel CMOS sensor – CX format, 2.7x crop
- 3inch 921k dot screen
- EVF 1.44million dots
- Full HD video, 1080p, Stereo sound
- ISO100-3200 (expandable to ISO6400)
- World’s fastest autofocus system
- Focal plane phase-detection AF + Contrast-detect AF
- 10fps continuous shooting, with AF tracking
- 60fps full resolution shooting (Single AF)
The EVF has built in eye-detection so that it can automatically switch on when needed. Apart from the larger zoom control on the back of the camera, the accessory / flash hot shoe, and the 1.44 million dot EVF, the V1 controls are pretty much identical to the J1.
The lenses are all optimised / designed for both still image quality and video recording with quiet auto-focus and motors in the power zoom models, and white balance is optimised for each lens. The first three zoom lenses are all retractable / collapsible making them more compact when not in use.
10mm f/2.8 pancake lens – 27mm equivalent.
10-30mm f/3.5-5.6 – 27-81mm equivalent “Standard” zoom.
30-100mm f/3.8-5.6 – 81-297mm equivalent telephoto zoom.
10-100mm f/4.5-5.6 – 27-270mm equivalent power zoom.
A Nikon FT1 adapter is available for Nikon lenses – and with AF-S / AF-I lenses Auto Focus will work. With a 2.7x crop factor, a 35mm standard lens will become a 94.5mm equivalent lens, and this crop factor would suit telephoto lenses particularly if you’re interested in having as much zoom as possible. Another way of looking at this is to think of the Nikon 50mm f/1.8 D lens, which is available for around £90, would become a 135mm f/1.8 telephoto lens, which means getting a bright telephoto lens would be very cheap looking at the price of the lens on its own.